The writer-director was partially inspired by a close friend who died of ALS, but ultimatley lost a scene involving the affliction: "That's definitely one that hurt when I took it out."

The filmmaker reveals the movies he screened for the Universal Monsters rebooters, discusses the importance of practical effects, and whether Bigfoot could be a Wolfman.

For better, there's been 2020's The Invisible Man, in which writer/director Leigh Whannell left his supernatural leanings from the Insidious franchise behind for a more sci-fi-rooted horror. His Wolf Man has a similarly grim and grounded approach,

Australian creator of the Saw horror series talks about rebooting a werewolf classic and why he never thought Hollywood was his destiny

Wolf Man should win this weekend's box office. Maybe we should give Leigh Whannell a huge budget and let him make whatever he wants?

With Wolf Man, Leigh Whannell's latest horror film and follow-up to another classic Universal Monster reimagining -- the acclaimed The Invisible Man -- the writer/director he saw an opportunity to do exactly that with his own take on the legendary creature. What happened next was so gruesome that even the film's crew was stunned.

For the entirety of Leigh Whannell's screenwriting career, the horror veteran has shown the gift of being able to make audiences cower in terror inside a darkened movie theater, and then, come back for more.

At the risk of sounding unintentionally patronizing, Leigh Whannell’s Wolf Man gets an “A” for effort. You can see the same mind at work that took the story of The Invisible Man and crafted an allegory about gaslighting,

Leigh Whannell’s horror film Wolf Man hopes to join Den of Thieves 2: Pantera at the top of the weekend’s box office when it opens on January 17th, but judging by the mixed reviews from critics, it’s unclear how likely that’ll be.