The reviews for Wolf Man may have been mixed, but there’s something about the Universal Monster movie’s eerie, forested New Zealand landscapes – often filmed at night and strikingly lit by Stefan Duscio’s cinematography – that conjures up the perfect mix of atmospheric and starkly beautiful on screen.

The future of cinema looks pretty exciting when you think about how the horror genre is really thriving with old classic films. The new trend is remakes, which isn’t a bad thing, but the most interesting part is how they’re using this to bring new life to old,

A t the risk of sounding unintentionally patronizing, Leigh Whannell’s Wolf Man gets an “A” for effort. You can see the same mind at work that took the story of The Invisibl

Leigh Whannell did a brilliant job of modernizing "The Invisible Man," but werewolves prove much harder to tame.